Audio · In beta

Broadcast Audio Toolkit

Four essential audio processes, tuned for broadcast delivery and built natively for Final Cut Pro. Drop it on a clip; sound like you mixed elsewhere.

CLOSED BETA · NOT ON SALE YET

Kamp · Broadcast Audio Toolkit
EBU R128 ▾
Loudness target −23 LUFS
What's inside

Four processes, one pass

Loudness

Hit −23 LUFS for broadcast or −14 for platforms, with integrated, short-term and true-peak metering that stays visible while you edit.

De-noise

Clean steady background noise — room tone, hiss, hum — while keeping the voice natural. Works best on consistent noise; we say so up front.

De-ess

Tames sibilance without lisping the speaker. One knob, tuned ranges for male, female and young voices.

True-peak limiter

Transparent ceiling at −1 dBTP so your delivery never clips after encoding. The meter turns amber only when it matters.

Delivery presets

EBU R128, Netflix, YouTube, podcast and social targets included — plus your own, saved per project.

A/B compare

One click between processed and original, loudness-matched so the louder one can't cheat.

Requirements

Speaks fluent FCP

HostFinal Cut Pro 10.6 or later (FCP 11 recommended)
SystemmacOS 13 Ventura or later · Apple silicon native, Intel supported
FormatsAny audio FCP can play · projects up to 48 kHz / 24-bit
InstallSigned & notarized installer · no account required to run
StatusClosed beta — request access via Support
Broadcast Audio Toolkit
Closed beta
not on sale yet
  • All four processors + metering
  • Delivery presets for broadcast and platforms
  • Native Audio Unit for Final Cut Pro
  • Early access for editors who give feedback
Request beta access

WE READ EVERY MESSAGE · NO SPAM LIST

Questions

Asked, answered

Does it work with Final Cut Pro 11?

Yes — FCP 11 on Apple silicon is our primary test environment. FCP 10.6+ on Intel is supported too.

Is Broadcast Audio Toolkit available to buy?

Not yet. We're in a closed beta with a small group of editors. Request access via Support and we'll get back to you when a spot opens.

Will de-noise fix any recording?

Honestly, no. It excels at steady noise like room tone, hiss and hum. Intermittent sounds — a door, traffic swells — need clip-level editing, and the manual shows you how.

How is this different from Dialogue Enhancer?

Broadcast Audio Toolkit is for delivery — loudness, de-noise, de-ess and limiting. Dialogue Enhancer is for making dialogue sit better in the mix. They complement each other; neither replaces the other.